Another way to look at our threshold matrix is as a kind of probability matrix. Instead of offsetting the input pixel by the value given in the threshold matrix, we can instead use the value to sample from the cumulative probability of possible candidate colours, where each colour is assigned a probability or weight . Each colour’s weight represents it’s proportional contribution to the input colour. Colours with greater weight are then more likely to be picked for a given pixel and vice-versa, such that the local average for a given region should converge to that of the original input value. We can call this the N-candidate approach to palette dithering.
美國大學（American University）助理教授唐志學（Joseph Torigian）發推文表示，「從我們現在掌握的關於中國精英政治歷史的證據來看，對我而言，浮現出的核心經驗之謎不是副手為什麼選擇不忠誠因而被清洗，而是副手即使忠誠為什麼也會被清洗。」
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两个月后，重新打开画面，他发现了新的剪辑逻辑。声音的河流引领他重新拼接影像碎片，他不再执着于最初预设的政治历史框架，而是让材料自身的情感脉络浮现。杜耀豪总结：“电影实际上是一个非常透明的失败过程。我没有成功地把他们聚在一起，也没有人比以前更快乐。”
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